When a New Yorker wants to orient himself — emotionally, literally — in this concrete jungle, he doesn't use a compass or an astrolabe.
He picks out from the skyline the Pepsi Cola sign in Queens, the Freedom Tower in Manhattan, the History Channel billboard in the Bronx.
Or the giant “Love Letter to Brooklyn” mural covering a Downtown Brooklyn parking lot, a work by the artist Steve Powers that's now set for extinction after the garage closed Wednesday.
This has served as a sort of North Star for me when I bike home at night. https://t.co/9SUynrgqfh pic.twitter.com/6kNOqGTgTk
— Alvin Chang (@alv9n) January 13, 2016
New Yorkers have a habit of forming attachments to landmarks that were constructed with no promise of permanence.